SF Bay Guardian, October 1, 2003
Water Principle has Bite
-- Robert Avila
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Shotgun Players
present playwright Eliza Anderson's darkly humorous fable of exploitation.
In a setting of Beckett-like desolation and purity, a half-starved woman
named Addie (Kate Sheehan) lives a hard but fiercely independent life on a
plot of desert land coveted by an unctuous neighbor named Weed (John
Thomas), a businessman and self-proclaimed "man of action" with Faustian
dreams of development under the heading "Weed's Wonderland." Weed will
naturally stop at nothing to get the land (whose true value only Addie
knows), trying the usual routes of patriarchal and class advantage to that
end (marriage, sex, food, lies, guns) without immediate success. Enter
archetype number three: a wandering moocher named Skimmer (Ian Petroni)
whose more ordinary predatory instincts become an easy tool for a capitalist
like Weed, the keeper of the beans. What starts out maybe a little too
reminiscent of Samuel Beckett ends a little more like Sam Peckinpah, with
dialogue that at its best has a bite to it but often belabors its own
significance. The strength of the production lies in a committed cast, who,
with director John Warren, do a nice job straddling the decidedly fuzzy line
between absurdist nihilism and the moralism of melodrama. (Avila)
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