Oakland
Tribune, September 20, 2000
Chad Jones
Shotgun
Players simplify and soar in likable `As You Like It' Three 1/2 Stars
- Enchanted
In true
troubadour fashion, Berkeley's Shotgun Players begin their production
of ``As You Like It" with a few songs. They also clamber through the picnicking
audience in character telling jokes and riffing with audience members
on the subject of falling in love. The children in attendance last Saturday
had some especially illuminating thoughts on the topic.
From
the very start, with the music and the interactive improvisations, this
``As You Like It," the last free ``in the park" Shakespeare of the season,
is irresistible.
One of
Shakespeare's most beguiling romantic comedies, ``As You Like It" is perfectly
suited to a park setting. In this case, the Shakespeare's Arden Woods
are well played by John Hinkel Park in North Berkeley.
Director
Patrick Dooley strips the play to its barest essentials: an extremely
winning cast of 12 all dressed in black save for a few adornments to help
the audience keep all the characters straight, vigorous staging and absolutely
no set.
When
actors aren't needed in a scene, they sit on one of two benches just behind
the performance space and watch, chuckle and sip water like everyone else
in the audience.
Dooley
uses the space wonderfully and has his actors make great use of the many
interesting entrance and exit opportunities afforded by the hilly glen
that surrounds the rustic amphitheater. And by starting the show at 4
p.m., Dooley takes full advantage of the dappled sunlight that begins
pouring onto the stage about an hour into the play. The lighting design
by Mother Nature is superb.
How astonishing
it is that with so little flourish, and by putting an emphasis on the
language, that Shakespeare's world can come so fully to life. This ``As
You Like It" is crisp, funny and never once hard to follow.
Like
other Shakespeare plays (most notably ``A Midsummer Night's Dream"), this
one has a group of disparate people running into the woods to discover
love and who they really are. There's a fairy tale quality to this noble,
tenderhearted and quite amusing tale. Dooley and his actors capture this
feeling splendidly.
Rosalind
(Beth Donohue) is banished from the Duke's palace, so she disguises herself
as a boy and runs to the woods with her cousin Celia (Juliet Tanner) and
clown Touchstone (a giddy Christopher Kuckenbaker).
Orlando
(Ryan Gowland), who will fall in love with Rosalind on first sight, defeats
the Duke's heretofore undefeated wrestling champion Charles (Danny Wolohan)
and must run into the woods to protect himself.
Also
banished to the woods is the good-hearted former Duke Senior (played by
Gene Thompson, who also plays the nasty reigning Duke Frederick) and his
merry band of men.
Among
the Duke's coterie is Jacques (Jeff Elam), a melancholy, pessimistic sort
who gets to deliver Shakespeare's famous ``seven ages of man" soliloquy
that begins, ``All the world's a stage, and all the men and women merely
players." Elam sits casually in the audience and offers the speech with
a quiet, rueful dignity.
Trish
Mullholland, Reid Davis, Greg Lucey and Michelle Talgarow are great fun
as a group of country folk, by turns lusty and lovestruck, who add to
the amorous activities of the Arden encampment.
The performances
are all delightful, but Donohue is worthy of special mention. Her full-bodied
performance as Rosalind carries the play and gives it a strength and compassion
that contrasts nicely with the plot's more outrageous comic elements.
At several
points throughout the three-hour show, the characters kick up their heels
in a musical frenzy. Dooley's use of songs adds an extra level of zest
to the proceedings.
The musical
accompaniment by Daniel Bruno on percussion, Gowland on guitar and Donohue
on fiddle feels completely organic and seems inseparable from the enchanted
goings-on in the Berkeley branch of the Arden Woods.
Don't
let your summer end without paying a visit.
Contra
Costa Times,
August
27, 2000
Jack Tucker
Forget
theater in the round, this is in nature
HOW FAR CAN YOU GO
in undressing a dramatic work of its conventional trappings -- scenery,
costumes, lighting -- to get at the naked story in a way that makes any
sense to the audience?
Forget about reading
a play. That's ground zero, a silent, solitary pursuit for an audience
of one, devoid of gussying up, save for the reader's imagination. Unless
you move your lips and mumble the words, reading a play rarely rises to
the level of performance art.
We're talking about
theater that people can physically experience. Surprisingly, that only
requires the addition of just one other dimension: movement or sound.
Radio drama -- now
mostly soaps -- used sound alone to bring us some great theater when it
reached its pinnacle in the 1950s.
Far older is mime,
performance that achieves its effects with the other option -- silent
movement. What would happen if we stepped up to level two by combining
movement and sound, but adding nothing else in the way of staging?
Shotgun Players will
try to answer that question with Shakespeare's "As You Like It," opening
Friday in the Julia Morgan Center for the Arts for a single paid benefit
performance. It will then go on to John Hinkle Park for free shows on
Saturday and Sunday afternoons through Oct. 8.
"'As You Like It'
was chosen this year because, like many of Shakespeare's comedies/love
stories, it is perfect for outdoor production," writes Shotgun member
Mary Eaton Fairchild.
"John Hinkle Park,
with its over-arching eucalyptus trees, babbling brook and sunken valley
terrain offers the delightful impression of a world enclosed by nature.
And in Shakespeare, nature is magic. And magic in theater is only possible
when we allow our imaginations to rule."
So get ready to dress
the bare amphitheater stage as richly as you please in your mind's eye.
Admire the artistry
of the leafy backdrop. The trees look as if you could actually go up and
hug one. Of course, you could. They're real, not painted.
This is theater stripped
of all artifice, save two: the voicing of a clearly grasped text and the
thrusts of the appropriate physical gestures.
Shorn of the usual
layering, it's broken down to the lowest common denominators of sound
and movement.
Friday's debut at
the Julia Morgan, 2640 College Ave., Berkeley, starts at 8 p.m., followed
by a reception with food, drink and lots of schmoozing. Tickets for this
performance are $20 general; $10 for seniors, students and members of
Theatre Bay Area. All East Bay park performances start at 4 p.m. and are
free.
One Sunday performance
at 1 p.m. is scheduled for San Francisco's McLaren Park, Visitacion Valley
Road, on Sept. 10.
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